A booking page that quotes your price, shows the design on their skin, takes the deposit and fills your week — while you tattoo.
How much? Can I see it on me first? Which day? Every message is the same four questions, and answering them by hand is most of a working week. This answers them for you, and asks for the deposit before the date is held.
What this is for
Pick the one that sounds like your week. Each goes straight to how it is dealt with — no sales pitch in between.
All of this is in the Solo plan.
First in the world
Your game changer
Set up in an evening. The rates, the body zones and the style multipliers are already loaded — price a handful of your own pieces, and it is quoting for you by the morning.
Start free01 · The price
A calculator that guesses is worse than no calculator: the client believes the number and you have to talk them down from it. So before it quotes anything, it puts a handful of real tattoos in front of you and asks what you would charge — and everything it says afterwards is built out of your own answers.
What you would charge for each, and how many hours you would take. A few minutes, and you upload nothing.
Nothing is discounted on a small piece, so that is where your real rate is. The bigger ones are cheaper by the hour, and the difference becomes your long-job discounts — shown to you as a ladder before you agree to it.
A photo is measured against your own answers to work out how long the piece takes, and the price is those hours at your rate. Setup and stencil time do not scale with the drawing, which is exactly why one flat rate never worked.
One slider per body part, one per style you work in: colour realism is not the same four hours as fine-line, and a palm is not a forearm. Every figure is yours, every one ships at ×1.00, and the trade’s usual number is one tap away.
Nothing is blank when you start. The hourly rates, the body-zone coefficients and the style multipliers are already loaded from what studios around the world actually charge — you can go live on those today. Your discounts for longer sittings come from your own answers during setup, and pricing a few reference pieces tunes the rest to you. Every single number stays yours to change.
The number is an estimate and says so. You confirm the final price when you have seen the request — the point is that nobody is waiting on you to find out roughly what it costs.
02 · Seeing it first
The request for a sketch is really a request for reassurance. So the client uploads a photo of the spot, drops the design on it, and drags it about until it sits where they want it.
What they place is what arrives with the booking: the photo, the design, and the two together exactly as they left them. No more guessing what the client had in mind.
03 · Awkward references
Half of what clients send is a piece already on somebody’s arm, badly lit, at an angle. There is nothing to measure in that. So it is redrawn flat, and from there it behaves like any other design.
It is a redrawing, not an extraction — the artwork is new. Whether a piece should be copied at all is a conversation between you and your client.
04 · The diary
Every other system makes you pick one and live with it: an hourly diary, or day bookings. A real week is neither. Tuesday is four short pieces and Saturday is one back piece, so the answer belongs to the day — not to you, and not to the whole month. You draw the week once and each day is sold the way you drew it.
The client picks a time from the windows you actually have open that day. Each booking is cut to the size of the work, so the rest of the window stays free for somebody else.
The whole day belongs to one client. It starts when you say the day starts, and nothing else can be booked into that chair.
Both, in the same week. A Saturday sold whole and a Tuesday cut into four is one artist, one diary — and the price the client is quoted follows whichever that day is.
05 · Your page
Nobody starts a studio wanting to build a website, and a half-built one costs work. This comes with the page: your work, your reviews, your links, and the booking on the same screen.
inktok.pro/your-studiooryour-own-domain.com
05b · Already have a site?
If your site is doing its job there is no reason to move. One line puts the price estimate and the booking inside it, and the bookings still land in the same place.
<script src="https://inktok.pro/widget.js"
data-studio="your-studio"></script>
06 · Flash days
Flash is priced already, which makes it the easiest thing to sell and the most annoying to administer. Put the sheet up, name the day, and the slots fill themselves.
07 · Everything else
The five that do the work first, then everything else. All of it is in every plan — no add-ons, no fee per booking, no charge per client.
Not a generic calculator’s idea of what a tattoo costs — your hourly rate, your own reference pieces, your body-zone coefficients and your style multipliers. The client gets a real figure in seconds, and you never type it again.
The client uploads a photo of the spot and the design lands on it, to scale, where it will actually sit. Most of the back-and-forth about size and placement never happens, because they answered it themselves.
Taken by card when the booking is made, and deducted from the session price. Fewer empty chairs.
The form your insurer wants — over eighteen, no allergies, not drunk, told the aftercare — ticked and signed with a finger before they arrive. It stays on the booking with the time, the IP and the exact wording they agreed to, so a form signed last year still means what it said.
A fortnight out, "shall we settle the design?". The evening before, when, where, how to get in and the consent form if it is still unsigned. The day after, aftercare and — only then — a quiet ask for a review.
A blacklist that recognises the phone or the email, and can insist on payment up front.
When a booking falls through, the first few people on your waitlist who fit the freed slot are messaged within seconds. Whoever takes the link first has it.
And also
A priced sheet on a named day, each design claimed once. Sold and paid for before anyone walks in.
A new booking wakes your phone, not your inbox. Nothing waits until you next open a laptop.
Mark a client VIP and their rate follows them automatically, every booking, without you remembering.
Your own instructions on your own page, sent after the session. Answers the same questions you answer every week.
What was booked, what was quoted, what turned up and what it earned, per artist and per month.
A back piece is thirty hours, and nobody sits for thirty. Mark the parts that need several sittings and we find the dates.
Everyone who starts a booking leaves a name and a number, finished or not. Export the list when a week looks quiet.
A week in another city takes over your calendar for those dates, runs on the host’s hours in their timezone, and prices in their money and their tax. Clients pick the city on your page.
Set your window once. Cancel in time and their deposit waits as credit towards the next booking; cancel late or never turn up and it stays with you, marked as such. The credit comes off their next deposit on its own — no voucher to remember.
What a session costs you in ink, needles and film. In a studio it comes off the artist’s side of the split; on your own it is simply the difference between what came in and what you kept.
Built with the studios on it
Every part of this was asked for by somebody tattooing for a living — the calculator, the try-on, the consent forms, the chair limit. None of it came from a product meeting. Whether you work alone out of one room or run four artists and three chairs, if it cannot do something you do, that is the next thing we build.
What it gives you back
That is 32 times what you pay for it — and the hours are counted at your own rate, not at nothing.
An estimate, not a promise, with its workings on show: 13 minutes to answer one enquiry by hand at €80 an hour; 1.35% of enquiries becoming work only because the reply was immediate, which is about 1.5 more bookings a month at your average quote of €450; and seven in ten no-shows prevented by asking for a deposit.
Clear. Fair. Valuable.
€99 a month — about 1.2 hours in the chair. One client covers it, and the other twenty-nine days are yours.
Counted against €80 an hour, which is about what the studios on here charge. Everything is included: every feature, every client, every booking. No commission on your work, ever.
€99 · per month
For a single tattoo artist. Everything you need.
€149 · per month
For multiple tattoo artists under one roof.
First 14 days free · Pay €0 today · cancel in one click before day 14 · No hidden fees
Frequently Asked Questions
Let's begin
Fourteen days free and €0 today — cancel in one click any time before day 14. Setting up takes a few minutes, and after that your page is live.